【】os.itbeganhliang</p>

haoieenniies,butlyaggravatedoraeleratedafter1917.</p>

aniaforaywellbe</p>

regardedasanaggravation,butthestyleintroducedissntotheese</p>

languagethatitotlastthissituationisespeciallybadintranslationsn</p>

erousastheyareunintelligibletotheaverageese</p>

reader.</p>

actually,suitiesareperpetratedbytranslatorsfoootherreasonthantheir</p>

insuffitsteryofthefnlanguage,totranslatewordby</p>

edeparishas</p>

actuallybeentranslatedas”parisianaginealsothegrotesquenessof</p>

translatinglongenglishrelativeclausesfolloheirasintoese,</p>

htherelativeclausesexistinesegedintoalongstringof</p>

difiersextendingoverseverallinesbeforeiningtotheodify.</p>

ents,liketheintroduoftheloose</p>

nstru.ainclause</p>

shantgo,ifitrains,itisheprosesochre</p>

suppleandflexible.</p>

erivalanynationallanguage</p>

inpoodeenglishproseisdistinguishedbyahealthy</p>

xtureofnelyenglishlanguage,and</p>

oreexaeaning,takenfroheronic</p>

heritage.atenlanguagehnsiderssuchexpressionsas”anosefor</p>

nehebhedriftoflanguage,””ridingoideof</p>

suess”and”lloydgeesflirtationshtheiveparty”asgood,</p>

standardenglishstreinavirileliterarydiuafalseliterarystandardh</p>

the,tide,etdenforcessubstituteslike</p>

appreulations,te,statoncelosethis</p>

virility.thetpos,eandabstragreatriessin</p>

theeselanguage.itsbasitureishroughout,likethe</p>

anglosaxoeraryheritageofthealliteraturehasleftbehind</p>

avoeaning,othe</p>

roureofthesetentsinthe</p>

handsofatrueliterarycraftsnthereergeaproseofthegreatestpower</p>

ay.</p>

viii.poetry</p>

itseefairtosaythatpoetryhasenteredreintothefabrifourlifethanithas</p>

intheandisnardedusedindifferencesquite</p>

generaliioned,allesescholarsare</p>

poets,orpretendtobe,andfiftypertofthesofascholarsllectedworks</p>

usuallynsistsofpoetry.theeseierialexanations,eversiang</p>