uts,</p>

hazelnuts,etc.ofdetail.the</p>

sutuousfeastinsideseen,butonlysuggestedbytheseleftoverstobe</p>

throotherefuseheap.theionisthereforeeverything,onh</p>

dependsverylargelythepoeticqualityoftheisshyhtportrayaland</p>

italething</p>

fortheigination</p>

hadesepaintingreient,hophasisoion</p>

oreatteroftheheadthanoftheheart,itruckablindalley,</p>

forart,arilytoourfeelingsandoursenses,wouldhave</p>

degeedintoatheti.noauntofteical</p>

skillorcleveessofintellectualiongiveusgreatart,ifitfailstoachieve</p>

anatsphereandevokeinusasyathetiotion.hisinallgreatpaintings,oodisthereforeeverything.the</p>

draerelytosuggesttheabsenceofany</p>

boatnnearby,andthatabsei,it</p>

evokesinusaodofsolitudeanddesolatiodriftacross</p>

bytheforurrentifitesaliveandfullof</p>

aningtousonlyhattheboathavedriftedacrosslikethat</p>

ifithadnotbeealone,andthisleadstoarefleonthedesolationofthe</p>

seotions.ofavailisittopaintthesignofa</p>

boogrovebythebridgeunlessagihe</p>

peopleightbegatheredinthatehangsheavyandlifeis</p>

atpeadnspendans</p>

rheutisndthequeensgirlhoodronoodis</p>

thereforeeverything,inpaintingasiry.thisleadsustoaionof</p>

”atsphere,5othericvitality,”hehighestideal</p>

ofesepaintingforthelastfourteenhundredyears,sincehsiehhofirst</p>

enunciateditandotherpainterselaboratedanddiscussedandquarrelledoverit</p>

forustreerthattheesepaintersdidnotereayofdetail.</p>

sutungposaid:”ifoicizespaintingbyitsverisilitude,onesuanding</p>

issilartothatofachild.”buttakingaereverisilitude,hasthe</p>

paioofferus,afterall,isthepurposeofpaintingtheanshatthe</p>

artistshouldousthespiritofthespathetic</p>

odinrespohatisthehighestobjedidealofeseart.we</p>

reerhoakesperiodiountainstorefreshhis</p>

spiritiainairandulateddustofurban</p>

thoughtsandsuburbanpassions.heoral</p>

andspiritualelevation,andhebravestheselfinraintolistento</p>

thethunderingongpilesofksandbrushwood</p>