uts,</p>
hazelnuts,etc.ofdetail.the</p>
sutuousfeastinsideseen,butonlysuggestedbytheseleftoverstobe</p>
throotherefuseheap.theionisthereforeeverything,onh</p>
dependsverylargelythepoeticqualityoftheisshyhtportrayaland</p>
italething</p>
fortheigination</p>
hadesepaintingreient,hophasisoion</p>
oreatteroftheheadthanoftheheart,itruckablindalley,</p>
forart,arilytoourfeelingsandoursenses,wouldhave</p>
degeedintoatheti.noauntofteical</p>
skillorcleveessofintellectualiongiveusgreatart,ifitfailstoachieve</p>
anatsphereandevokeinusasyathetiotion.hisinallgreatpaintings,oodisthereforeeverything.the</p>
draerelytosuggesttheabsenceofany</p>
boatnnearby,andthatabsei,it</p>
evokesinusaodofsolitudeanddesolatiodriftacross</p>
bytheforurrentifitesaliveandfullof</p>
aningtousonlyhattheboathavedriftedacrosslikethat</p>
ifithadnotbeealone,andthisleadstoarefleonthedesolationofthe</p>
seotions.ofavailisittopaintthesignofa</p>
boogrovebythebridgeunlessagihe</p>
peopleightbegatheredinthatehangsheavyandlifeis</p>
atpeadnspendans</p>
rheutisndthequeensgirlhoodronoodis</p>
thereforeeverything,inpaintingasiry.thisleadsustoaionof</p>
”atsphere,5othericvitality,”hehighestideal</p>
ofesepaintingforthelastfourteenhundredyears,sincehsiehhofirst</p>
enunciateditandotherpainterselaboratedanddiscussedandquarrelledoverit</p>
forustreerthattheesepaintersdidnotereayofdetail.</p>
sutungposaid:”ifoicizespaintingbyitsverisilitude,onesuanding</p>
issilartothatofachild.”buttakingaereverisilitude,hasthe</p>
paioofferus,afterall,isthepurposeofpaintingtheanshatthe</p>
artistshouldousthespiritofthespathetic</p>
odinrespohatisthehighestobjedidealofeseart.we</p>
reerhoakesperiodiountainstorefreshhis</p>
spiritiainairandulateddustofurban</p>
thoughtsandsuburbanpassions.heoral</p>
andspiritualelevation,andhebravestheselfinraintolistento</p>
thethunderingongpilesofksandbrushwood</p>